Why steal a masterpiece




















Top credits Director Jack Lord. See more at IMDbPro. Photos Add Image. Top cast Edit. Jack Lord Det. Steve McGarrett as Det. Steve McGarrett. George Voskovec Durkin as Durkin. Gail Strickland Forbes as Forbes. Danielle Evvy Bernstein as Evvy Bernstein. Douglas Mossman Frank as Frank. Herman Wedemeyer Duke as Duke. Michael Anderson Jr. Jeff Koestler as Jeff Koestler.

Danny Kamekona Guard as Guard uncredited. Jack Lord. Storyline Edit. It turns out that the old man had been planning to sell the painting and had hired two art appraisers to market it. Soon, the group receives a ransom demand. The art appraiser, who wasn't under surveillance, paid the money and got the painting back himself. This bit of mass nose-thumbing really doesn't go over well with McGarrett, who suspects the grandson of stealing the painting to get the ransom money for his own lavish lifestyle.

All is not what it seems, however. When the appraisers look over the returned painting and pronounce it genuine, the grandson promptly says it's a fake. How does he know?

In a roughhousing bout with a buddy, he fell onto the real painting and damaged it. That means the real painting was stolen long before; the burglary was an elaborate scheme to steal a forgery. Whether through directness of artifice, their remarkable efforts stand out as art in itself; something soon to be photographed by another Sunday tourist. II Jean Baudrillard, Cool Memories. Categories Articles by Vik.

The Impossible Object. C Photo: A Local Triumph. Class dismissed: Art, Creativity and Education. Landing Pelicans. The Unbearable Likeness of Being. Surface Tension.

Making it Real. The I by Vik Muniz. TED Global Interviews. Jacaranda Magazine: Conversation with Vik Muniz. An Interview with Vik Muniz. Natura Pictrix. TED X Sudeste. Vik Muniz: The Illusionist. A Babylonian boundary stone, looted from Iraq and seized at Heathrow airport in , is handed back to Iraq in March They will put them in warehouses and wait until there is the opportunity to sell them later down the line, when Isis has become just a memory.

Some collectors argue that by buying these looted objects, dealers and art lovers are saving pieces — getting them out of the hands of would-be destroyers and preserving them for future generations. Amineddoleh has little time for such rationales.

These pieces are not being extracted by a trained archaeologist, they are being ripped out of the ground. They are destroying these archaeological sites, destroying the heritage, destroying history. I love it. I want it in my collection. With no insurance, he lives in hope that the work will be returned. People felt close to the holy family when they were close to that painting. It deserves better than this. We hope you enjoyed this sample feature from issue 34 of Delayed Gratification.

You can buy the issue from our shop or. Subscribe and receive the magazine through your letterbox every three months.

Slow Journalism in your inbox , plus infographics, offers and more: sign up for the DG newsletter. Sign me up. Posted on Friday, February 7th, - Categories: Stories. Jam-packed with information A very cool magazine Perhaps we could all get used to this Delayed idea



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